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Photo 101: Still Life

MOPA@SDMA
3.34K subscribers
1.9K views 6 years ago
What image comes to mind when you read the word still life? For many, it’s likely to be a bowl of fruit or a classic European painting. However, photography allows us to push these old-school boundaries, providing new perspectives on everyday objects. Whether it’s the beauty of a single leaf or an arrangement of cherished objects, check out the video to learn more about the many ways to approach a still life. 📸Featured Artists: Harold Feinstein, Untitled (purple flower), 1980, dye transfer. Abelardo Morell, Dictionary, 1994, gelatin silver print. © Abelardo Morell. Karl Blossfeldt, Adiantum pedatum (America Maidenhair Fern), 1928, photogravure. © Karl Blossfeldt. Paul Caponigro, Galaxy Apple, New York City, 1964, gelatin silver print. Jo Whaley, Overripe Population, 1994, archival pigment print. © Jo Whaley. Follow us here: 👉https://mopa.org/ 👉   / mopasd   👉   / mopasd   Written by Kevin Linde Filmed and Edited by Meredith Sward Financial support is provided by the Gould Family Foundation. ...more
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Photo 101: Still Life
32Likes
1,996Views
2018Nov 20
What image comes to mind when you read the word still life? For many, it’s likely to be a bowl of fruit or a classic European painting. However, photography allows us to push these old-school boundaries, providing new perspectives on everyday objects. Whether it’s the beauty of a single leaf or an arrangement of cherished objects, check out the video to learn more about the many ways to approach a still life. 📸Featured Artists: Harold Feinstein, Untitled (purple flower), 1980, dye transfer. Abelardo Morell, Dictionary, 1994, gelatin silver print. © Abelardo Morell. Karl Blossfeldt, Adiantum pedatum (America Maidenhair Fern), 1928, photogravure. © Karl Blossfeldt. Paul Caponigro, Galaxy Apple, New York City, 1964, gelatin silver print. Jo Whaley, Overripe Population, 1994, archival pigment print. © Jo Whaley. Follow us here: 👉https://mopa.org/ 👉   / mopasd   👉   / mopasd   Written by Kevin Linde Filmed and Edited by Meredith Sward Financial support is provided by the Gould Family Foundation.

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MOPA@SDMA

3.34K subscribers